When Technology Was Female: Histories of Construction and Deconstruction, 1917-1989 delete normally-inanimate objects are brought to

normally-inanimate objects are brought to life by Amelie von Wulffen's paint brush

Ramón Guillén-Balmes

and public art – with her fascination for elephants

The issue is edited by Laura Gardner

What if reproduction and production are one and the same

When Technology Was Female: Histories of Construction and Deconstruction, 1917-1989 delete normally-inanimate objects are brought toContinuities and ruptures between the early Soviet (c. 1917) and late state socialist (c. 1980s) periods are examined through detailed discussions of a wide range of women's artistic practices, including Liubov Popova, Varvara Stepanova, Tina Bara, Sibylle Bergemann, Vra Chytilov, Natalia LL, Dora Maurer, the Erfurt Women Artists' Group, Bla KolFov, Evelyn Richter, Zorka Sglov, and many others. Featuring over one hundred images of works ranging from