Dolphin — Framed Piece Framed Prints moving directly toward the viewer

moving directly toward the viewer

This is one of Glen's most minimal and atmospheric landscape compositions: no wildlife

Glen treated fish with the same observational seriousness he brought to his large mammal work

This coloured pencil landscape is one of Glen's most architecturally conceived tree studies: the pine is not a background element but the entire subject

his bird compositions

Dolphin — Framed Piece Framed Prints moving directly toward the viewerTwo Mahi mahi Dorado cut through turquoise shallows, one breaking the surface into white foam, the other slicing deeper below. The electric yellow green and cobalt blue of the Dorado's flanks are among the most vivid colours in all of oceanic wildlife, and Glen caught them at the moment they're most intense: mid hunt, fully lit, the water around them throwing back the sky. This is another of Glen's departures from his Canadian northern subjects the