and manipulated noise by singer–songwriter Barbara Manning and founder of Bananafish magazine S
making inventive use of electro-acoustic principles in its editing and mixing
before the plucked notes of the harp become a cascade: “Enez Rouz”
the voice is expressed in the purest black spirituals (Big Fred and Brother Malcolm)
embracing the loops and drones
Nijiumu – When I sing, I slip into the microphone. Into that void, I bring comrade "prayers", then, turning to face the outside, together we explode. [2LP] Musique Concrète / Sound Collage and manipulated noise by singer–songwriter"Among the true Keiji Haino devotees, Nijiumus Era of Sad Wings (released on P. S. F. in 1993) has always held a special place in the pantheon. Operating for only a few years in the early 90s and apparently only performing a handful of shows, Nijiumu operated at the opposite end of the dynamic spectrum to Hainos famed power trio Fushitsusha, dwelling in a hushed, meditative realm of mysterious droning sonorities and free floating melodies that
