Loss (Or, Man With A Triangle Void) charcoal Prints limited to 100

Prints limited to 100

and triviality

But curiosity and inspection are necessary

viewers can see their reflection in the glass

When the iPhone premiered

Loss (Or, Man With A Triangle Void) charcoal Prints limited to 100Oil on glass, 12x16"; tempered glass, wenge, aluminum. This work highlights the confusion associated with self perception. The painted side is more approachable in a traditional sense, except for the inescapable voids in the face, so curiously placed across the mouth, eye, and ear. And this void (actually just the surface of the glass) has a represented effect on the flesh in the form of a shadow. When viewed from the other side, the glass serves as